Paradise Captured — Jared Johnson

Paradise Captured

An aerial view gathers holes 10 through 14 of Kapalua's Plantation Course into one landscape, revealing course geometry that cannot be read from ground level in the same way.

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Paradise Captured

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In space visualization

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Paradise Captured looks down across holes 10 through 14 of Kapalua's Plantation Course.

The aerial position is what makes the photograph useful.

From the ground, the holes are experienced sequentially.

From above, multiple fairways, bunkers, contours and connections can be read at once while the surrounding Kapalua landscape provides a much larger context.

For Lance, that is the difference between simply documenting a golf course and using perspective to reorganize it.

The course becomes geometry.

Paths and fairways connect. Elevation changes become visible. Designed land can be read in relationship to natural terrain, coastline and ocean.

That kind of vantage is central to Lance's broader practice.

The camera moves somewhere ordinary sight usually cannot, and a familiar subject begins behaving differently.

The source detail also supports meaningful enlargement, allowing individual course structures to remain legible throughout the larger aerial field.

YOUR SELECTION Acrylic · 20" x 35.6" · Unframed

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Border
When offered, the white motif border is 2 inches.

Acrylic and Aluminum
Float frame in Black, Natural, or White: 0.6 in wide and 1 in deep, with a 0.27 in reveal between the image and the frame.
Gallery frame: 4 in wide and 2 in deep, set flush to the image with no reveal.

Canvas
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Artwork Details + Context

Paradise Captured looks down across holes 10 through 14 of Kapalua's Plantation Course.

The aerial position is what makes the photograph useful.

From the ground, the holes are experienced sequentially.

From above, multiple fairways, bunkers, contours and connections can be read at once while the surrounding Kapalua landscape provides a much larger context.

For Lance, that is the difference between simply documenting a golf course and using perspective to reorganize it.

The course becomes geometry.

Paths and fairways connect. Elevation changes become visible. Designed land can be read in relationship to natural terrain, coastline and ocean.

That kind of vantage is central to Lance's broader practice.

The camera moves somewhere ordinary sight usually cannot, and a familiar subject begins behaving differently.

The source detail also supports meaningful enlargement, allowing individual course structures to remain legible throughout the larger aerial field.

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